Lea de Wit creates glass sculptures that glow and shimmer in tones that resemble gemstones and embers. “I love working with color. One of my first loves in art before glassblowing was painting. I approach color with my glasswork in a painterly manner. I layer color upon color to build intensity and vibrancy, playing with varying amounts of opacity and transparency to create depth and dimension. Additionally, my compositions tend to incorporate color transitions to add visual impact and activate the space for which the work has been designed.”

Trained as an architect and musician at Princeton and MIT, Janney creates works of art that can best be described as interactive spaces where patterns of changing sound and color stimulate the imagination.

She stands with one pair of arms outstretched, while a second pair arch gracefully behind her. She gathers up the streams of water flowing from the hem of her gown -- or do they actually flow from her body? “Arria,’’ the colossal statue created for Cumbernauld, Scotland by sculptor Andy Scott, beautifully exemplifies this artist’s life-long commitment to the classical tradition of sculpture and to giving modern communities a taste of what their ancestors often took for granted: an awe-inspiring public statue that is also a comforting visual anchor in the landscape.

The curve and sweep of Joe Gitterman’s sculptures reflect a lifelong fascination with the physical dynamics and emotional impact of dance. “I have always been passionate about dance performance. As an audience member, I am intrigued by the constant change of shapes and the seemingly endless variety of forms. My passion is trying to turn a fluid motion into a three-dimensional item.”

‘’I strive to create new sensory experiences. I use all kinds of technologies to make my art more surprising, more beautiful, more emotionally moving.” For Oklahoma City-based artist Chad Mount, there is no division between technology and art. ‘’Technology in all of its forms is really important when we’re talking about public art. What’s available now is really mind-blowing. I find that people in tech and the arts are really open to collaborating. We have to be learning from one another to make public art more impactful and meaningful.”

Rosemary Feit Covey creates imagery that elevates the natural world to the realm of allegory and fable through her visual poems.

“People who spend time with my work are amazed that they move slightly when touched- they are incredibly strong, but they are also surprisingly delicate.” Sculptor DeWitt Godfrey has spent his professional life fascinated by the physics and practical application of materials. The hallmark of his current sculptures are conical metal sections, which when multiplied and combined create works of placid organic beauty. These ovoid shapes give Godfrey’s work the uncanny ability to appear to change shape as light transforms their convex and concave surfaces. “My works arise out of a process in which I am always in touch with what the materials show me regarding what forms are possible.’ This is as true for the elements that make up the sculptures themselves as for the architectural structures and natural landscapes that are the settings for his commissions. Godfrey refers to this process as “form finding as opposed to form declaration.”

“Visual art, literature and music have always been important parts of my own creative expression,” says Elizabeth Nguyen-Espinoza. “But as a person who had experienced hardship as a child, I know that in order to be a fully creative person, our basic life needs have to be met - including good health. When I shared my ideas about starting a gallery as well as a foundation that would be part of making positive change in the lives of children, the artists in my community showed great interest and followed up with their support.”

The strategic use of light, pattern, and color is key for Wagner Murray Architects as the firm embarks on transforming existing public areas into entirely new spatial events. “The emotional experience of human beings within an architectural space is what it’s really about.” says principle Dave Wagner. “It has to appear effortless. The public doesn’t have to know why they feel the way that they do; the architectural elements simply have to work together harmoniously to bring about the desired effect.”

“To work with textiles is to work with patterns,” says Denmark-based designer Astrid Krogh, whose sculptures transform everyday spaces into glowing, dynamic environments. Fascinated by the interplay of textile and light, Krogh has modernized the centuries-old technique of tapestry weaving with the use of thoroughly modern materials including neon, reflective metals, and optic fiber.