Native Tongue Digital Project - CODAworx

Native Tongue Digital Project


Location: Auckland, New Zealand

Completion date: 2018

Project Team


Gill Gatfield

Gill Gatfield Studios


Spark Foundation

Spark NZ

Industry Resource

Jonathan Potton

Chillbox Creative

Industry Resource

Amie Wolken - Lead Developer AR

Staples VR


Uniting art, storytelling and science, the Native Tongue Digital Project recreates an ancient sculpture by New Zealand artist Gill Gatfield, in augmented reality. Standing 3 metres tall, Native Tongue is carved from a single 45,000 year-old Kauri, an indigenous tree pre-dating the last Ice Age. Seeking to share this taonga (treasure) with art lovers across the globe, a creative team from New Zealand merged traditional hand-crafted mediums with reality-bending tech. An interactive app allows people anywhere, at any time, to experience the sculpture’s presence and stature in fully navigable 3D space, accompanied by narrative and native birdsong.


Native Tongue cuts an impressive figure at the centre of Spark NZ Atrium in downtown Auckland. Made from a single tree buried for over 45,000 years, the towering sculpture is a breath-taking marriage of artistry and engineering. Achieved despite seemingly insurmountable logistical challenges, Native Tongue’s existence is testament to the power of creative problem solving. Spark NZ also works at the interface of technology innovation, so when the Spark Foundation wanted to tell the story of this elegant giant, they sought an inventive solution. Gill Gatfield’s selection for the 2018 Venice Architecture Biennale and the American Institute of Architecture A18 CODAworx presentation in New York, provided ideal international contexts to showcase Native Tongue to new audiences. The artist and the Spark Foundation needed to devise a way to transport the experience of the artwork, while leaving the sculpture exactly where it was. Advances in mobile digital technology offered the potential to achieve the goal of a multi-layered sensory encounter with the iconic sculpture, unconstrained by location or time. Recreating Native Tongue in digital form would generate the sculpture’s alter-ego, expanding the notion of digital art and the opportunities to experience this national treasure.


To ensure project design and content captured Native Tongue’s essence, video specialists Chillbox Creative and digital innovators StaplesVR worked closely with the artist and team at Gill Gatfield Studios. Utilizing the latest augmented reality tracking technology available through iOS mobile devices, digital overlays of the sculpture would be projected into the real world to produce a visually rich experience. The sculpture’s form and textures were captured through photogrammetry. The AR app design allows users to live-project 1:1 digital recreations of Native Tongue into any environment through their smartphone or tablet. Visible through the device’s camera, these projections exist in fully-navigable 3D space. Users can place the sculpture in an environment of their choosing, move around and view it from any angle they desire, getting a full sense of scale and presence. A soundtrack of native New Zealand birdsong and optional narrative enhance the sensory experience, conveying the sculpture’s significance and history. A related linear video highlights specific features and details for viewers seeking more information. In keeping with the artist’s abstract conceptual practice, both video and AR App design are minimalist, timeless and elegant.

Additional Information

The digital sculpture ‘Native Tongue AR’ went live in April 2018, was demonstrated at the 2018 Venice Architecture Biennale, and launched at A18 at the Javits Centre in New York with CODAworx in June 2018. The unique app icon presents a modified image of the sculpture that connects the virtual and the real. Carved from one of the rarest prehistoric woods in the world that predates the migration of Neanderthal man, and shaped as the primary number One, Native Tongue ‘speaks’ of primal origins. Digital technology brings a national treasure to a global platform, and projects this ancient totem into the future. Whether sited within a New Zealand forest or amidst New York skyscrapers, in MoMA’s sculpture garden, or at Storm King NY, the sites and potential for creative interaction are infinite.