Tom Lee - CODAworx

Client: UrbanArt, City of Memphis

Location: Memphis, TN, United States

Completion date: 2006

Artwork budget: $250,000

Project Team

Artist

David Clark

David Alan Clark Sculpture

Landscape Architect

Russ Adsit, FASLA

Russell Adsit Landscape Architecture

Client

Carissa Hussong

National Ornamental Metal Museum

Other

Ed Frank, historian

University of Memphis

Other

Charmeal Neely-Alexander

Family of Tom Lee

Overview

1 1/4-life size bronze monument, 20’ wide x 12’ tall x 5’ deep, set on granite bases. The plaza is 32' in diameter, ringed with spotlights and etched with river currents.

Goals

Tom Lee's story of heroism was becoming lost - it needed a narrative piece to tell it. There was an old obelisk - with a plaque lauding Lee as a 'worthy negro' but nothing that drew people to the river front or encouraged them to connect with his story. The spotlit plaza draws visitors on warm summer nights, and the sculpture during the day also attracts people to come and sit and watch the river move as a backdrop to the dramatic artwork.

Process

This project was spearheaded by Lee's great-niece, Charmeal. She worked with me to get the correct likeness. Lee was a riverman who, despite the fact that he could not swim, rescued 32 people from the Mississippi River in 1925. The monument shows Lee leaning from his boat to rescue a man in the water, viewers' perspective is that of the victims' the waterline of the boat is at eye-level. Landscape architect Russ Adsit collaborated with the design of the plaza - the set-in bench, and the means of etching river currents. Also the spotlights - one for each rescued person - were spec'ed to not be too hot for bare feet to step on.

Additional Information

Memphis is an amazing city that has had mixed luck with its reputation for civil rights. This sculpture, of a poor black man saving rich white people - underscores the city's real spirit of reaching across racial barriers in recognition of our shared humanity. The local chapter of Amnesty International agreed and used the sculpture as the backdrop for their regional human rights awards.